Monday 13 September 2010

'Kick-Ass' dir. Matthew Vaughn

My expectations were somewhat muted before watching this one. This is largely due to the fact that comic 'fan boys' are increasingly dominating the Hollywood fantasy market and there have unfortunately been some real stinkers in amongst these recent films. However, having been thoroughly entertained for two hours, I can gladly state that this is certainly not the case with Kick-Ass.

The set up is perhaps grimly familiar to a British audience:- an American high school loser is madly in love with a girl who is out of his league. He reads too many comic books and ends up wanting to become a real-life superhero. Yet, despite all the cliched avenues this film could take, it successfully avoids all of them.

Our hero, Dave Lizewski, finds himself a very fetching wetsuit and proceeds to fight crime in the local neighbourhood. Perhaps unsurprisingly, he soon finds himself in hospital. Undeterred, he returns to the streets and as a result of youtube he quickly becomes a phenomenon known only as 'Kick-Ass'.

Due to an unfortunate set of circumstances, 'Kick-Ass' finds himself the target of local crime lord Frank D'Amico, played wonderfully straight by Mark Strong. Dave soon finds himself way out of his depth. Yet, help is soon at hand, 'Big Daddy' (Nic Cage on brilliant form) and 'Hit-Girl' soon dig him out of a hole. These two are the real deal, they are professionals, even though they happen to be father and daughter.

'Hit-Girl' is a gift of a character - a young girl whose foul mouth would make a marine blush. The dynamic between the two is truly unique, perhaps represented best by her birthday gift - a pair of knuckle dusters. They have enough nous to keep their presence unknown. However, 'Kick-Ass' is less fortunate.

After being trapped by an elaborate ruse, he finds himself in desperate jeopardy. We see Dave for what he really is, a young man who would be just as scared as any of us at getting beaten up by mobsters. Nonetheless, you cannot help but root for him. He is a genuine hero beset by his own inadequacies. He is a fool but a noble one at that. For all the ludicrous ultra-violence of some of the death sequences, there is always a clear line between the good and the bad.

This film confronts why some people want to put on latex and look like an idiot. It also confronts why most of us want to fight crime. However, perhaps most importantly it demonstrates how ill-suited many of us are to doing just that. Not the most challenging film of the year, but by far the most entertaining.

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